Does Sexual Abuse in Adolescents Lead to Homosexuality? Essay -- Physi

This study is about whether there is a correlation between physical and sexual abuse in adolescents becoming homosexual. Throughout past research there has been no direct correlation in stating is does cause adolescents to become homosexual. The event of someone changing their sexual identity is when they gone through some traumatic situation in their life. The tests we ran for this study are The Life Experience Questionnaire, The Lesbian Internalized Homophobic Scale, and The Acceptance and Action Questionnaire. This study is done to prove there is a correlation between physical and sexual abuse equaling homosexuality. Introduction Homosexuality is increasing in number in today’s society due to a number of situations that people have gone through. There is even the existence of people saying they were born this way, as in the song by Lady Gaga. One may also have some people going, as far as to claim they knew there was something different about them all along. Is there the possibility of a link between traumatizing situations in someone’s life to the point where they â€Å"become† homosexual? Could the possibility of a traumatic experience from past adolescence, affect them this greatly? Throughout research, there is an understanding of the possibility of there being a relationship connection between past traumatic events of adolescents to changing their life style from heterosexual to homosexual. What is considered an adolescent for this study are adolescents between the ages of 13-17 because once you are the age 18 you are considered a legal adult in the United States. The study will take place looking at the age bracket of adolescents, which live in the United States. In this, the research will be looking at th... ...erts. "Avoiding Experiences: Sexual Dysfunction In Women With A History Of Sexual Abuse In Childhood And Adolescence." Archives Of Sexual Behavior 41.2 (2012): 341-350. Academic Search Premier. Web. 6 Dec. 2013. Sullivan, Tami P., et al. "Differential Relationships Of Childhood Abuse And Neglect Subtypes To PTSD Symptom Clusters Among Adolescent Inpatients." Journal Of Traumatic Stress 19.2 (2006): 229-239. Academic Search Premier. Web. 6 Dec. 2013. Walker, Monique D., Ana M. Hernandez, and Maureen Davey. "Childhood Sexual Abuse And Adult Sexual Identity Formation: Intersection Of Gender, Race, And Sexual Orientation." American Journal Of Family Therapy 40.5 (2012): 385-398. Academic Search Premier. Web. 28 Oct. 2013. "What Is Homosexuality?" Exodus Global Alliance. N.p., n.d. Web. 23 Nov. 2013. .

Media Studies †Podcasting and Radio

Ben Hammersley of the Guardian first discussed the advent of podcasting technology only two years ago (Hammersley, 2004). Yet this newly created communications channel has grown from being a small niche market   – with only six thousand hits on Google in 2004 according to Terdimann (2004) as compared to today’s excess of forty-one million (Google, 2006). Podcasting has changed radio with breathtaking speed, removing almost all barriers to access in ways that Internet radio was never able to on its own. This paper will discuss how and why podcasting is the radio of the future because of its convenience, intimacy and ease of access. Podcasting Defined In simple terms, podcasting is a digital music file that is presented to the end user within an RSS feed, where RSS is a grouping of different feed formats used to update and publish web content. Users subscribe to an RSS to listen to audio files, are automatically updated each time a new file is uploaded, and can listen to the podcasts on any MP3 player. What makes podcasting unusual is the automatic updating portion of the system: instead of having to return to a particular website to see if the content has been updated, the users’ subscribed-to feeds automatically deliver the content on-demand. A Brief History of Radio as Related to Podcasting Initially, radio was used in the late 19th century for users separated by geography to communicate. However, other people started ‘overhearing’ these radio transmissions and slowly it became a means with which to talk to a larger populace, evidenced by BBC’s start-up three decades later. It didn’t take long for radio listeners to realize radio’s potential scope as shown by comments made in 1930: â€Å"The radio would be the finest possible communication apparatus in public life, a vast network of pipes. That is to say, it would be if it knew how to receive as well as to transmit, how to let the listener speak as well as hear, how to bring him into a relationship not isolating him (Bretcht, 1993). Interestingly, these comments seem to describe podcasting to a tee, as anyone can transmit information using this technology, with no higher authority monitoring its use. A similar growth pattern is seen when reviewing the advent of Internet radio as well, with the 1995 creation of Real Audio software, allowing radio stations to send transmissions through the Internet instead of through other, more traditional processes (Priestman, 2001). While this was a huge breakthrough in technology and access to mediums previously controlled by geography and cost, it still made Internet radio dependent on positioning: you had to be in front of a computer to listen (Wall, 2004). This lack of portability has somewhat been trumped by new WiFi radio options in the UK (Rose, 2005), but that discussion is beyond the scope of this paper. Podcastings’ Origins Portable music devices first appeared in the late 90’s (Van Buskirk, 2005) but it wasn’t until Apple’s 2001 release of the iPod that podcasting became a household name. At that time, no other commercial venture had successfully sold legally available songs online and then facilitated transferring them onto a digital media device. Podcasting Success Factors We must go back in time to 1996 to determine just why MP3 players such as the iPod and podcasting in general took off at such an alarming rate. It was at this time when The Telecommunications Act of 1996 changed American radio forever by allowing companies to own more than four radio stations in a specific market and more than forty nationwide, both of which were previous limiters (Mann, 2005). This allowed Clear Channel, one of the more infamous radio station consolidators, to merge well over one thousand stations across the U.S. using their tried-and-true content-weak system of providing lots of specifically targeted music to a specifically targeted consumer and the addition of even more commercial time. It seems evident, then, that radio listeners were well primed for an on-demand music service with fewer (or no) commercials without the WalMart of radio forcing listening decisions. How Has, and Will, Podcasting Changed Radio? In a sense, podcasting has changed radio into a new medium entirely. Now anyone, anywhere, with no prior radio, media or telecommunications knowledge can create a podcast for listeners around the world to enjoy, respond to and interact with. Plus, it has provided access to public figures in ways that radio couldn’t previously, as with Vice-Presidential candidate John Edwards’ kitchen table talks or President Bush’s weekly radio addresses (see http://www.whitehouse.gov/radio). Future applications of podcasting technology are only limited by the accessibility of MP3 players and the ingenuity of the users. The next step of all-access, user-driven radio is to have the smaller hand-held devices download podcasts (technology which is just become available now) through wireless technology. This will work in tandem with current movement towards Wi-Max networks (where entire cities have wireless access availability instead of merely chosen ‘hotspots’), enabling users to save the costs of downloading content through their cellular phone providers or current fatport company. In fact, the Nokia N91 was to be released earlier this year with this same technology on board (Rose, 2005). Yet as MacFarland stated in 1997: â€Å"The answer will lie not so much in technical improvements to audio reproduction as in improvements to the product the audience is seeking – programming that is responsive to the listener’s needs. Conventional radio stations have already picked up on this trend such as the Boston-based â€Å"Jack FM† which boasts an iPod-like random playlist complete with an â€Å"I don’t care† attitude as shown by the DJ’s frequent mentions of the company’s tag line: Playing What We Want. Although podcasting may not reconnect traditional radio listeners with their radio roots (such as CBC has done in Canada with Radio One), it may add increased interest on the part of listeners, intent on learning more about new media and music not previously available to them. Some media experts may feel that podcasting is the end of radio as we know it, but rather it should be looked at as new way, method, technology and available to connect intimately with an audience hard to pin down and even harder to communicate with. Works Cited B, Brecht. â€Å"The Radio as an Apparatus of Communication’.† Radiotexte. Ed. Neil Strauss . New York: Semiotext(e), 1993. â€Å"SEARCH: Podcasting.† Google. Google. 30 Nov 2006 . Hammersley, B. â€Å"Audible revolution.† Guardian Unlimited: Technology. 12 Feb 2004. Media Guardian. 30 Nov 2006 . Mann, Charles. â€Å"The Ressurection of Indie Radio.† Wired Magazine 13.03Mar 2005 30 Nov 2005. Priestman, Chris. Web Radio: Production for Internet Streaming. London: Focal Press, 2001. Rose, Frank. â€Å"Battle for the Soul of the MP3 Phone’.† Wired Magazine 13.11Nov 2005 30 Nov 2006. Terdiman, Daniel. â€Å"You, Too, Can Be a Podcaster.† Wired News 31 Dec 2004 30 Nov 2006. Wall, T. â€Å"The Political Economy of Internet Radio.† The Radio Journal 2(2004): 27-44. Van Buskirk, Eliot. â€Å"Introducing the World’s First MP3 Player.† MP3 Insider. 21 Jan 2005. CNET Reviews. 30 Nov 2006 .         

Frankenstein, Dracula and Spiritualism - 1701 Words

1. Mary Shelley s Frankenstein tells the story of a man s desire to control life itself. Victor Frankenstein s main goal is his own glory and power. He desires like Prometheus before him to take something that is reserved for the god s and make it of use to men. Victor is unable to control this new found power and it eventually destroys him. Shelley tells this story of knowledge and science by introducing the romantic temperament of Victor and the gothic themes of the creation of the creature and the horrors it unleashes. As Shelley subtitled Frankenstein The Modern Prometheus the relation of the Greek titan to Victor Frankenstein is prominent. Prometheus stole fire from the gods of Mount Olympus to give it to people. For†¦show more content†¦Contrast that with the images that come when you say the name Dracula. Dracula is the aristocrat in the castle, the lord of all vampires and his image in set in us. Vampire legends and myths are thousands of years old and find ho mes in most cultures around the world. From the chiang-shih of China to the Lamia of Greek legend, a mix of a woman and winged Serpent (Richardson, 2007). These myths, however, have little in common with modern tellings of the vampire, which are based on European myths. The European vampire myths originated in places like China, Tibet and India and was taken back to the coast of Greece and into the Balkans, which include the Carpathian Mountains and Transylvania (Richardson, 2007). These European legends were described as bloated corpse, being reanimated dead people and generally were oafish and of lower class. This contrasts with the literary version that were described upper class, tall and pale aristocrats. Both have in common drinking blood, returning from the dead and preying on people at night. Folk lore vampires may have longer finger nails, as they continue to grow when dead, while literary vampires will be well groomed. Hypnotic eyes and fangs were added in literary works as a way to sexualize the vampire. Vampires in legend and literature are able to transform into a mist in order to enter and leave dwellings and their grave nightly. Bram Stoker did not stray too far whenShow MoreRelatedWhen Karl Freund’S The Mummy (1932) Was Released, The Horror1313 Words   |  6 Pagesconstant money problems, however, was still successful during the Great Depression of the 1930s. In 1931 Universal released Dracula starring Bela Lugosi and directed by Tod Browning, which a huge success and initiated the horror cycle. Universal also released another successful film Frankenstein (1931) starting Boris Karloff. The follow up to Dracula and Frankenstein was an even greater success, and Universal now looked for another success that would use its new star, Boris Karloff. This newRead MoreVictorian Novel9605 Words   |  39 Pageswithin the complexities of social reality at a particular historical moment. The following aspect which is worth concerning in the case of Victorian novel is the motif of evolution. It was frequently connected with the absence of God, like in â€Å"Frankenstein† by Mary Shelley, where there was neither Heaven no Hell, no damnation or redemption presented. This is only one example of how Victorian prose mirrored the ferment of contemporary scientific debates about the nature of life, intensified by theRead MoreLogical Reasoning189930 Words   |  760 Pagestired of following Ricardo’s advice. Every time he has recommended a film for her to see, she has been disappointed in the film. Once she even walked out before the film had ended. She decides that this time she is not going to go see â€Å"The Rise of Dracula† which Ricardo’s has just recommended. In Hannah’s reasoning, what percentage of the items in the past have had the property in question that she is considering projecting into the future? ï  ¡Ã¯â‚¬ ® ï  ¢Ã¯â‚¬ ® ï  £Ã¯â‚¬ ® ï  ¤Ã¯â‚¬ ® ï  ¥Ã¯â‚¬ ® 334 25% 20% 100% 0% can’t